Member of the Performing Right Society and the Incorporated Society of Musicians
Sasha Valeri Millwood is a musicologist, music theorist, and composer‑contrapuntist‑pianist who takes an intellectual approach to his diverse array of musical endeavours, utilising his élite education and research, both academic and vocational, to elucidate his artistic practice. Dissenting from the propensity to isolate the sub‐disciplines that comprise the art and science of music, Millwood seeks to draw upon his various specialisms, from pitch‐class set theory and serialism to Classical improvisation and figured bass, to inform all of his work, whether it be academic writing, performing, accompanying, composing, transcribing, proof‑reading, teaching, or analysing manuscripts.
In particular, Millwood considers the insights from his professional performing experience to be an integral facet of his compositional practice (notwithstanding the irony that he composes at a desk, and never at the pianoforte), and vice versa (whether he be performing a work written today or written centuries ago).
Millwood is currently a doctoral researcher under the joint auspices of the University of Glasgow and the British Library (Arts and Humanities Research Council Collaborative Doctoral Partnership), conducting research into the music of Thea Musgrave, whose manuscripts and papers were recently acquired by the latter institution. His undergraduate education was at Girton College, University of Cambridge, where he attained (with upper‑second‑class honours in each of the three parts of the Music Tripos) the degree of Bachelor of Arts / Master of Arts. This was followed by postgraduate studies at the Guildhall School of Music & Drama, where he attained the degree of Master of Music (with Distinction) and undertook advanced studies at the Centre for Classical Improvisation and Creative Performance.